a year-long-scream. Four poems

By Maria Kapajeva

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a year-long-scream. Four poems

By Maria Kapajeva

The poems were originally published in the book a year-long scream (2024, OPA! Publishing). The book is published in three languages: Estonian, English and Russian.

24.05.2022

Maria Kapajeva, Fluid Borders, 2023.

anastasia

her parents are 75 and 82

were moved from mariupol

she was meeting them in narva

she happened to be in paris with her family

they went there on holiday

and stayed there

her parents wanted to go back to ukraine

and her children studied under the french system

so in france they were placed in a public school

the parents were coming

from mariupol

they will be sent to wherever the train goes

taganrog

otradniy near samara

in samara they asked a camp manager

to get them a ticket to petersburg

he did

everyone wants to get to

the filtration camp where he works

he is humane

two nights in a train

petersburg

an acquaintance drove them to ivangorod

narva-tallinn

tallinn-warsaw by plane

warsaw-budapest by plane

crossing the border by car in beregovo

then to kyiv

more than 6000 km

from ukraine to ukraine

11.07.2022

you need a human being

especially during the war time

not somewhere faraway and all-understanding

but near by

close by

skin to skin

so that no words are necessary

so she could decide for both of us

about holidays

about rest

where to how and when

some impossible decisions

for me now

so she could hug me

when we both need it

even after the war

really need

for the war to stop

and a human being

needs another human being

Maria Kapajeva, Fluid Borders, 2023.

16.09.2022

just yesterday

i sent a message

to a family from izyum

that now lives in estonia

congratulating them

with the liberation of their town

but today

i have heard the news

about more than 400 bodies found there…

my greetings now

sound like a curse

and facebook continues

to edit my text

by highlighting the word ‘greetings’

so you see the balloons flying while reading it

Maria Kapajeva, Fluid Borders, 2023.

22.09.2022

yesterday in the euronews

one man at the protest in belgium said

it is all because of the war

the prices for gas and energy raised

he refuses to accept it as his issue also

i am angry

yesterday i saw

brave women

brave people

in iran

fighting for their rights

to be as they want to be

hundreds got arrested

i am crying

today i am writing to my nephew

in petersburg

that he heeds to hide

to wait out

to go out

otherwise he won't escape

the mobilisation

it’s not even clear

if bribes will help

if there will be a chance

to offer them

the law doesn’t work there anymore

i am worrying

azov soldiers were freed

but not all of them

but these ones are alive

a friend is going back

to ukraine

she cannot bear anymore

to live away from her home

she’d rather be in her native land

even if it’s not safe

i am anxious

i am making art

and it loses its meaning

right away

it doesn’t even help me

losing any sense

of why art is needed

if i cannot fully express with it

what i feel

all i want is to scream

i got a call from a dentist

tomorrow finally i get my tooth fixed

maybe the pain will subside then

22.09.2022

the world is going more and more mad

it’s late to say goodbye to the old one

too late for sure

Maria Kapajeva, Fluid Borders, 2023.

Maria Kapajeva is an artist working between the UK and Estonia and exhibiting internationally. Through her artistic practice, Kapajeva looks at the identity questions of peoples being in-between or in-transition, often bringing peripheral stories to the visible centre. Kapajeva practice is multidisciplinary: she works with found and vernacular photographic images, video installations, textile and embroidery and participatory practices.

Maria Kapajeva is an artist working between the UK and Estonia and exhibiting internationally. Through her artistic practice, Kapajeva looks at the identity questions of peoples being in-between or in-transition, often bringing peripheral stories to the visible centre. Kapajeva practice is multidisciplinary: she works with found and vernacular photographic images, video installations, textile and embroidery and participatory practices.