On birth or departure

By August (Kusti) Joost

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On birth or departure

By August (Kusti) Joost

Birth forms boundaries, it begins a separation. It distinguishes child from parent, man from woman and the individual from the shared body. The foetus, so far a part of the mother, gains personhood in a fit of violence, the umbilical cord is cut and a permanent border drawn. Birth is a hidden and unclean procedure, not meant for other’s eyes: an amputation or an autopsy.

Painting birth is an exploration of in-betweenness, locking subjects in an unending pursuit of individuation from which they cannot ever fully emerge. I depict bodies unfit to labour, or unfit to care. The Mother as a character is defined by a refusal to fulfil her duty, a fundamentally independent being, forever trapped by having created something more individual than her, a son. All the while, the hermaphrodite, being complete themself, cannot create a further separation. A body not comprehensible as gendered does not function according to the logic of separation and of absence.

August Joost, The Hermaphrodite Giving Birth after Greer Lankton, 2025. Oil on canvas, 190 x 82 cm
August Joost, The Birth of the Son with the Premonition, 2024. Oil on Canvas, 90 x 170 cm
August Joost, The Birth of the Mother from the Mouth of the Son, 2024. Oil on canvas, 165 x 100 cm

August (Kusti) Joost works primarily in the medium of figurative oil painting. His practice is rooted in recovering ways of looking implicit in the early modern European painting tradition, applied as a method to interrogate the contemporary queer(ed) body. He seeks to understand the violence necessary for a body to conform to a normative ideal and depict a human form burdened by its own meaning.